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2007 to widespread critical appreciation. Apart from filmmaking, Kashyap serves as the Member of board of the Mumbai-based NGO, Aangan, which helps protect vulnerable children around India. Abhinav is also a filmmaker, while Anubhuti has been his assistant in most of his films. I had no desire to be a filmmaker. After the film got over, I decided to chuck it all and leave bag-and-baggage for Bombay to be a filmmaker. Kashyap on how one film changed his life.
Nair’s place, and the film inspired him to “write something”. Kashyap rewrote the script, and got credit for the same, but it was scrapped. Kashyap: “They felt it wasn’t healthy entertainment because it dealt unapologetically with sex, drugs and misguided, alienated youths”. The Bombay high court put a stay on the release of the film, until the judgement in the bomb blasts case was delivered. It was decided after a petition filed by a group of 1993 bomb blasts accused, challenging the release of the film based on their case.
The film got censorship clearance in 2007, and was released after two years meeting universal acclaim. It was indeed a difficult film to make, yet the director has managed to grapple with all the loose threads and put them together in a composite whole. So much so, the film moves like a taut thriller, without ideology colouring the sepia frames. In 2009, Kashyap had two releases. It was the twelfth film adaptation of the Bengali novel. The film met with generally positive reviews and strong box office results. Kashyap started working on the film in 2005, and had finished 70-80 per cent of the film in 2006, when its producer fell ill.
Later on, Zee Motion Pictures took over the project and was finally finished in 2008 and released on 13 March 2009. Despite positive reviews, the film underperformed at the box office. It consisted of eleven short films made by eleven directors. Shot in thirteen days, the film was released on September 2011. 5 out of 4 stars, praising the character-driven film and the portrayal of its lead alongside the city compared to most Hindi films: ” a film like this provides a radically different view of India than you can find in the pleasures and excesses of Bollywood”. The first part was released on 22 June, and the second on 8 August 2012, both receiving appreciation from Indian and international critics alike. The combined budget of the two films allowed it to be a box-office success.
It showed the story of three working women facing troubles everyday, both inside and outside their houses and how they overcome them. Speaking about the purpose of the project, Kashyap showed his intention to make people feel angry: “. The film’s theatrical release was halted for over a year regarding censorship issues over depiction of smoking in it. Though it was released on 26 December 2014 to generally positive reviews. It also emerged as a box-office failure.
Director’s Fortnight section to positive response. India’s first collaborative feature film from twelve directors to make ten-minute short films, with each film being a part of a larger story written by him. Both films proved to be a success. Phantom’s fourth release of the year. The project was for people across India to film a snapshot of their day and upload it on Google’s official website. Punjab in it was negative. India was the guest country of the festival to commemorate 100 years of Indian cinema.